These works by Yamamoto seem to be a study in the magnificence
of melancholia, scenes perfect for storytellers to grab and expand
upon because they're ideal representations of middle-moments -
moments ready for the questions what happened before and what happens after? Of the countless characters up for stories, these
are some of them.
The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.