"A writer is..."

I love when writers talk about what writers are.  Here are a few descriptions I've
come across recently...

A writer is a world trapped in a person.  - Victor Hugo

A writer loves the dark, loves it, but is always fumbling around in the light.
- Joy Williams

By Kevin Lucbert

on writing - a few quotes on short stories

When you read a short story, you come out a little more aware and a little more in
love with the world around you.  - George Saunders

Great short stories and great jokes have a lot in common.  Both depend on what
communication-theorists sometimes called "exformation," which is a certain
quantity of vital information removed from but evoked by a communication in such
a way as to cause a kind of explosion of associative connections within the recipient. 
- David Foster Wallace

The great thing about a short story is that it doesn't have to trawl through someone's
whole life; it can come in glancingly from the side.  - Emma Donoghue

photo stories - places as storytelling heavyweights

The sense of place is as essential to good and honest writing as a logical mind;
surely they are somewhere related.  It is by knowing where you stand that you
grow able to judge where you are.  Place absorbs our earliest notice and
attention, it bestows on us our original awareness; and our critical powers
spring up from the study of it and the growth of experience inside it.  It
perseveres in bringing us back to earth when we fly too high. It never really
stops informing us, for it is forever astir, alive, changing, reflecting, like the
mind of man itself.  One place comprehended can make us understand other 
places better.  Sense of place gives equilibrium; extended, it is sense of direction
too.  Carried off we might be in spirit, and should be, when we are reading or
writing something good.

- Eudora Welty

I like this idea that a full comprehension of one place - say, the place in which we
grew up - can help us to understand other places better.  If a writer has let one
place into herself, future places - real or imagined - states, towns, buildings, even
fascinating rooms - might better get in too.  All the better for conveying these
places to others.

By Vanessa Morrow

By Jake Messenger

By Rachel Chew

on writing - the rarer wisdoms

Bring all your intelligence to bear on your beginning.
- Elizabeth Bowen

One of the things I know about writing is this: spend it all, shoot it, play it, lose it,
all, right away, every time.  Do not hoard what seems good for a later place in the
book or for another book; give it, give it all, give it now.  The impulse to save
something good for a better place later is the signal to spend it now.  Something
more will arise for later, something better.  These things fill from behind, from
beneath, like well water.  Similarly, the impulse to keep to yourself what you have
learned is not only shameful, it is destructive.  Anything you do not give freely and
abundantly becomes lost to you.  You open your safe and find ashes.
- Annie Dillard

By Jen Corace

photo stories and a note on writing intimacy

In a written story, intimacy can be communicated through a variety of things, in a variety
of places, via a variety of senses, but in utilizing these, it's most important for the sake of
the reader for something unique to be communicated, something past cliche, something
impossible to grasp if the scene were portrayed on film.  This is the power of words, after
all, to tell a story - a truth - better than most other mediums can.

See these examples:

He moved his fingers down her whole spine, one by one by one, and during the time it took
to do that, his brain remained absolutely quiet.  It is these empty spaces you have to watch
out for, as they flood up with feeling before you even realize what's happened; before you
find yourself, at the base of her spine, different.
- The Particular Sadness of Lemon Cake, Aimee Bender

Unthinkingly I straightened, so that she would think better of me.  Such was her presence.
- The Hundred Thousand Kingdoms, N.K. Jemisin

The skin of her hand looked transparent in the light, on the edge of his desk, a young girl's
hand with long, thin fingers, relaxed for a moment, defenseless.
- Atlas Shrugged, Ayn Rand

He wants only her stalking beauty, her theater of expressions.  He wants the minute and
secret reflection between them, the depth of field minimal, then foreignness intimate like
two pages of a closed book.  He has been disassembled by her.  And if she has brought
him to this, what has he brought her to?
- The English Patient, Michael Ondaatje

So, these photos.  What could words add to the storytelling present in these photos?  How
could words take these images of intimacy from slightly distant to up-close, vivid,
unforgettable?  What might be said beyond describing the light, the assumed sensations
of touch?  What details might be added to take a scene from typical to truly intimate,
almost disarmingly so for the reader?

By Hana Haley

on writing - wisdom on style

Style means the right word. The rest matters little.   - Jules Renard

A good style must, first of all, be clear. It must not be mean or above the dignity
of the subject. It must be appropriate.   - Aristotle 

If any man wishes to write in a clear style, let him be first clear in his thoughts;
and if any would write in a noble style, let him first possess a noble soul.
- Goethe 

The greatest possible mint of style is to make the words absolutely disappear
into the thought.   - Nathaniel Hawthorne

by Olivia Jeffries

on writing - the role and definition of talent

The most valuable of all talents is that of never using two words when
one will do.   - Thomas Jefferson

Talented writing tends to contain more information, sentence for
sentence, clause for clause, than merely good writing...  It also
employs rhetorical parallels and differences...  It pays attention to the
sounds and rhythms of its sentences...  Much of the information it
proffers is implied...  These are among the things that indicate talent.
- Samuel R. Delaney

There is no idea so stupid or hackneyed that a sufficiently-talented
writer can't get a good story out of it.  - Lawrence Watt-Evans

Real seriousness in regard to writing is one of two absolute necessities.
The other, unfortunately, is talent.  - Ernest Hemingway

By Sanna Helena Berger

photo stories - anchors

I love those moments of exposition in books or short stories where the
perfect words, the perfect rhythms are accomplished and the reader is
transported, bewitched.  The moment, the sight, becomes their own,
years later something they look back on as if it had been real.  In these
scenes or paragraphs, certain sights or sounds often become anchors,
be it the way the girl's scarf flapped in the wind, or the way the moss
grew on the rooftop, or how that the toy in the window banged its little
cymbals.  The scene is lodged into the reader's mind, becoming a spark
of life that propels them through the pages.

These photos feel like that - living anchors.
May we write our anchors well.

By Molly Yun He

By Yung Sad

on writing - psychological barriers

Minds go from intuition to articulation to self-defense, which is what they
die of.    - James Richardson

No surprises for the writer, no surprises for the reader.    - Robert Frost

I think of this sometimes - how sensitivity to the world either means you
get lauded for it, get paid for it, get celebrated and loved for it; or at another
moment, feel burdened by it, or unable to deal, or panicked, or scared, or
shut down.    - Aimee Bender

Begin to write always before the impression of novelty has worn off from
your mind, else you will be apt to think that the peculiarities which at first
attracted you are not worth recording; yet those slight peculiarities are the
very things that make the most vivid impression upon the reader.  Think
nothing too trifling to write down, so it will be in the smallest degree
characteristic.  You will be surprised to find, on re-persuing your journal,
what an importance and graphic power these little particulars assume.
- Nathaniel Hawthorne

By Alessandro Lupi

on writing - walter benjamin

I love this well-worded bit of writing advice from Walter Benjamin:

Let no thought pass incognito, and keep your notebook as strictly as
the authorities keep their register of aliens.

Yes.

on writing - wendy lesser

The great novelist (unlike the clever, tricky novelist...) does not
construct an entirely new fictional world each time he writes a novel.
He cannot choose to do that as his inferiors can because the world he
visits in his fiction has a reality for him that is not entirely of his own
willed making.

- Wendy Lesser

By Andrea Wan

on writing - raymond chandler

The faster I write the better my output.  If I'm going slow I'm in
trouble.  It means I'm pushing the words instead of being pulled
by them.

- Raymond Chandler

By Patrick Gonzales

on words - mark twain

The difference between the almost right word and the right word is
really a large matter—if's the difference between the lightning bug
and the lightning.

- Mark Twain

on writing - lorrie moore

I just read an interview The Paris Review did with Lorrie Moore.
Here are some highlights referencing art, inspiration, writing short
stories versus novels, but the whole thing was great and should be
read in its entirety...  here.

"Certainly bitter emotions can fuel art—all kinds of emotions do. But
one is probably best left assembling a narrative in a state of dispassion;
the passion is, paradoxically, better communicated that way."

"One has to imagine, one has to create (exaggerate, lie, fabricate from
whole cloth and patch together from remnants), or the [story] will not
come alive as art. Of course, what one is interested in writing about
often comes from what one has remarked in one’s immediate world
or what one has experienced oneself or perhaps what one’s friends
have experienced. But one takes these observations, feelings, memories,
anecdotes—whatever—and goes on an imaginative journey with them.
What one hopes to do in that journey is to imagine deeply and well and
thereby somehow both gather and mine the best stuff of the world. A
story is a kind of biopsy of human life. A story is both local, specific,
small, and deep, in a kind of penetrating, layered, and revealing way."

By Adrian Bellesguard

on writing - robert southey

Be brief; for it is with words as with sunbeams, the more they
are condensed the deeper they burn.

- Robert Southey, poet

By Violet May

on writing - short stories - william goyen

For what is worth to those who want to write stories or simply to know
something of one writer's insight in the writing of short fiction, I have
felt the short-story form as some vitality, some force that begins (and
not necessarily at the beginning), grows in force, reaches a point beyond
which it cannot go without losing force, loses force and declines; stops.

For me, story telling is a rhythm, a charged movement, a chain of pulses
or meters. To write out of life is to catch, in pace, this pulse that beats
in the material of life. If one misses this rhythm, his story does not seem
to "work"; is mysteriously dead; seems to imitate life but has not joined
life. The story is therefore uninteresting to the reader (and truly to the
writer himself), or not clear. I believe this is a good principle to consider.

- William Goyen, The Collected Stories of William Goyen

on writing - amy hempel

It's all about the sentences.  It's about the way the sentences move in
the paragraphs.  It's about the rhythm.  It's about the ambiguity.  It's
about the way emotion, in difficult circumstances, gets captured in
language.  It's about instants of consciousness.  It's about besieged
consciousness.  It's about love trouble.  It's about death.  It's about
suicide.  It's about the body.  It's about skepticism.  It's against
sentimentality.  It's about cheap sentiment.  It's about regret.  It's
about survival.  It's about the sentences used to enact and defend
survival.

- Amy Hempel, the intro to The Collected Stories

on reading - ray bradbury and the paris review

Love this interview The Paris Review did with Ray Bradbury.  Here
are some bits of what he said about writers and what they read:

Do you read your science-fiction contemporaries?

I’ve always believed that you should do very little reading in your
own field once you’re into it. But at the start it’s good to know what
everyone’s doing.

How about writers younger than you?

I prefer not to read the younger writers in the field. Quite often you
can be depressed by discovering they’ve happened onto an idea you
yourself are working on. What you want is simply to get on with
your own work.

You seem to have been open to a variety of influences.

A conglomerate heap of trash, that’s what I am. But it burns with a
high flame.

on writing - advice from ramona ausubel

Two things: As Jim Shepherd says, “Follow your weird.”  Figure out
what fascinates you, what makes the little fizzy feeling in your chest
while you’re writing and do that.  Don’t worry about what you think
you are supposed to do.

And second: spend 99% your time thinking about writing, and 1%
thinking about the business of publishing.  We all know that it’s good
to make connections and network, but all that will come easily if you
have a fully-realized, beautifully executed book or story that’s all
yours, and that sings.  Let’s say writing is an ocean, and finding
readers is air that you need in sips, like a whale.  Your whole life is
spent swimming deep down, and you come up for a moment, take a
breath, and go back. (Via Slice)

- Ramona Ausubel, author of A Guide to Being Born

By Paula Bonet

on writing - some thoughts on adjectives

The adjective is the enemy of the noun.   - Voltaire

The adjective is the banana peel of the parts of speech.
– Clifton Fadiman 

When you catch an adjective, kill it. No, I don’t mean utterly, but
kill most of them — then the rest will be valuable. They weaken
when close together. They give strength when they are wide apart.
- Mark Twain

I think my mistakes were kind of common - leaning on cliches and
adjectives in the place of clear, vivid writing. But at least I knew
how to spell, which seems to be a rarity these days.
- Dick Schaap   

By Francois