I just read an interview
The Paris Review did with Lorrie Moore.
Here are some highlights referencing art, inspiration, writing short
stories versus novels, but the whole thing was great and should be
read in its entirety...
here.
"Certainly bitter emotions can fuel art—all kinds of emotions do. But
one is probably best left assembling a narrative in a state of dispassion;
the passion is, paradoxically, better communicated that way."
"One has to imagine, one has to create (exaggerate, lie, fabricate from
whole cloth and patch together from remnants), or the [story] will not
come alive as art. Of course, what one is interested in writing about
often comes from what one has remarked in one’s immediate world
or what one has experienced oneself or perhaps what one’s friends
have experienced. But one takes these observations, feelings, memories,
anecdotes—whatever—and goes on an imaginative journey with them.
What one hopes to do in that journey is to imagine deeply and well and
thereby somehow both gather and mine the best stuff of the world. A
story is a kind of biopsy of human life. A story is both local, specific,
small, and deep, in a kind of penetrating, layered, and revealing way."
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By Adrian Bellesguard |